![]() Sind nicht alle Artikel vorrätig, warten wir bis zu vier Wochen auf den Wareneingang der fehlenden Artikel. Artikel, die als "sofort lieferbar" gekennzeichnet sind, werden in der Regel innerhalb von 24 Stunden versandt. Wir versenden die Sendung sobald alle Artikel am Lager verfügbar sind. wird dein Paket in einer Paket-Filiale in deiner Nähe gelagert und du wirst benachrichtigt.Īlle anderen Länder außerhalb der EU und EFTAīis auf weiteres nehmen wir keine Bestellungen entgegen für Lieferungen nach: Russland, Belarus, Ukraineīei Bezahlung per Nachnahme kommt noch 5,60 € Nachnahmegebühr der DHL dazu.īei Versand in Länder außerhalb der EU trägt der Kunde alle evtl. Versandkosten LandĪchtung: Eine Lieferung bis zu deiner Haustüre kann leider nicht garantiert werden. We got fifty tins of free Baked Beans”ĭer Versand erfolgt per DHL Paket oder Warenpost. Two years later came Tommy – a double concept album about a deaf, dumb and blind kid… ![]() One of the most extraordinary albums of any era – it’s The Who’s last ‘pop’ album. Within the bold concept, were a batch of fabulous and diverse songs – I Can See for Miles (a Top Ten hit) is a Who classic, Rael, a Townshend ‘mini-opera’ with musical motifs that reappeared in Tommy and the psychedelic blast of Armenia City in the Sky and Relax are among the very best material of the 1960s. It’s glorious blend of classic powerful Who instrumentation, melodic harmonies, satirical lyrical imagery crystallised for what was only the group’s third album – the ambition and scope is unrivalled by the Who, or any others from that period. The album is a bold depiction of the period in which it was made – the tail-end of the ‘swinging-60s’ meets pop-art mixed with psychedelia and straight-ahead pop craft. Photography by renowned portrait photographer David Montgomery (rare out-takes included) The homage to pop-art is evident in both the advertising jingles and the iconic sleeve design – created by David King (art director at the Sunday Times) and Roger Law (who invented Spitting Image) producing four giant images for each band member – Odorono deodorant, Medac spot cream, Charles Atlas and Heinz baked beans (Roger apparently caught pneumonia from sitting in the cold beans for too long). The jingles pay tribute to the pirate radio stations and expose the myths of ‘pop-culture’ and mock consumer society – way ahead of their time… The original plan was to sell advertising space on the album – Jaguar cars, Coca-Cola etc. Originally planned by Pete Townshend and the band’s managers, as a loose concept album including jingles and commercials linking the songs styled as a Radio London broadcast – born out of necessity as the band’s managers wanted a new album and there weren’t enough songs. As well as being forever immortalised as the moment when the counterculture and the ‘ Love Generation’ went global, 1967 produced tremendous musical upheavals as “pop” metamorphosed to “rock”. ![]() Released in December 1967 – the album reflected a remarkable year in popular culture. ![]() Original album + ‘extras’ highlights from box set.įollowing recent super-deluxe editions and multi-format releases of classic Who albums – ‘My Generation’, ‘Tommy’ and ‘Quadrophenia’, and the success of ‘Live at Fillmore’, we follow with The Who Sell Out – this set shaping up to be the most superlative of all…!!
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